Sitcom Counterfactuals: Episodes from "The Big Bang Theory" and "Community"
The
rise of counterfactual reasoning has shaped not only contemporary historical
scholarship, journalism, and fiction, but also television comedy.
Two
recent episodes of “The Big Bang Theory” and “Community” show how
counterfactuals can be played for laughs while shedding light on important
issues of causality.
(Warning:
the following plot summaries are lengthy and will mostly appeal to the show’s
fans who already know the episodes.
They are also partly -- and
shamelessly -- reprinted from Wikipedia).
My own comments, of course, are my own.
The
episode of the Big Bang Theory aired a few weeks ago and was titled “The Cooper
Extraction.” It shows how the
lives of the show’s main characters would have been different if they had never
met Sheldon.
As the Wikipedia summary of the episode notes:
“Penny notes that Leonard would be too afraid
to have asked her out, Bernadette envisions that she would not have gone out
with Howard because of his strange friendship with Raj, and Leonard speculates
that Penny would be living with Zack. Amy suggests that Penny would have tried
to seduce Sheldon, while Howard notes that he would be caring for his mother
even after she was dead, and Raj and Leonard suggest that as roommates, they
would have become obese, due to Raj's cooking and Leonard's loneliness. Amy
thinks she would have been sad and alone.”
The
actual episode is naturally full of nuances and comic touches (for a full
summary see the link here),
but the main point is that the absence of one character, Sheldon, leads the
other characters to interact with one another differently based on their
existing behavioral tendencies which, without Sheldon’s mediating influence,
lead to different outcomes).
Through Sheldon’s absence on the episode, the other character realize
that, while they often complain about him, there lives would be diminished had
they never become friends with him.
Counterfactual reasoning, in other words, help them realize that a
theoretical fantasy can actually become inverted into a counterfactual
nightmare. It confirms the truism
that absence can, indeed, make the heart grow fonder.
A
similar insight emerges from an older episode of "Community," entitled “Remedial
Chaos Theory.” It originally aired in October of 2011 and explored seven
different “what if?” scenarios that were premised on the banal question of
which of the seven friends attending Troy and Abed’s housewarming party should
go downstairs and pay the pizza delivery man when he arrives at their
apartment. They all agree to
Jeff’s idea to roll a die to determine who has to go collect the food.
As
the Wikipedia summary of the episode
then makes clear, different die rolls lead to very different outcomes (or
timelines of alternate events).
The seven timelines are as
follows:
“In the first timeline, Jeff rolls a 2 and Annie (who is sitting second
on his left around the table) goes to get the pizza. Troy is too distracted by
finding a gun in Annie's bag to open Pierce's present [a Norwegian troll
wrapped in a box]. Abed confronts Britta about the smell of marijuana in the
bathroom, which offends her.
In the second timeline, Jeff rolls a 4 and Shirley has to go. She
reminds the group not to let her pies burn before leaving. Troy opens Pierce's
present and freaks out. When Shirley returns, she finds that nobody bothered to
take out the pies from the oven; the pies come out incinerated. She berates the
group and leaves.
In the third timeline, the die lands on 3 and Pierce has to go. Jeff
belittles Troy, which causes him to leave the table and join Britta in the
bathroom. She consoles Troy by mocking Jeff's guarded personality. Annie
demonstrates her first aid skills when tending to Jeff. When Pierce returns
with the pizza, everyone is happy.
In the fourth timeline, Jeff rolls a 6 and Britta has to go. Annie tends
to Jeff in the bathroom since Britta isn't using it. Jeff expresses his concern
for Annie; just as they are about to kiss, they are interrupted by Troy
screaming. Pierce is terrorizing him with the troll, and reveals that he is
upset that Troy has moved out from his mansion. Britta returns with the pizza
man, Toby, and announces they are now engaged.
In the fifth timeline, Jeff rolls a 1 and Troy has to go. He leaves in a
hurry, so as not to miss anything interesting, and slams the door, which causes
[Abed’s Indiana Jones] diorama
boulder to slip and roll onto the floor. Britta and Abed leave for the
bathroom, not noticing the boulder. When Annie stands up, she trips over it and
falls on the coffee table, in turn displacing Pierce's bottle of rum, which
shatters on the floor. Pierce abruptly rises from the table in reaction to the
fall, knocking Annie's purse to the floor. The gun inside discharges and hits
Pierce in the thigh. Abed rushes to help Annie with Pierce, while Britta comes
out of the bathroom and goes slack-jawed upon seeing Pierce on the floor; her
lit joint drops from her mouth and ignites the spilled rum. Jeff attempts to
smother the fire with his shirt, only for it to catch fire itself and get
wrapped around Jeff's right arm. Britta attempts to put out the fire by
dropping glasses of water onto it. Troy returns to a scene of chaos with the
troll doll, having been knocked from the table during the kerfuffle, staring
directly at him from amidst the flames.
In the sixth timeline, Jeff rolls a 5, meaning Abed has to go. Britta
inadvertently reveals to Shirley that she smoked marijuana, much to Shirley's
dismay, and the two confront each other about their respective
"habits". Troy has a few kind words for Pierce, which causes Pierce
to attempt to rescind the gift. In the ensuing struggle, the troll is flung out
of the box. Jeff and Annie kiss at the kitchen counter, but Jeff gets turned
off when Annie admits that Jeff reminds her of her father and belittles Annie
for the remark and for using too much lip gloss. Abed returns to an awkward
situation but acts obliviously ("I hope this is the real [timeline]
because I just found a nickel in the hallway").
In the final, prime timeline, Abed stops the die from rolling, and urges
the group to stay united regardless of whatever happens to them. The group then
realizes that Jeff manipulated the die roll such that he would never be
selected. In the end, Jeff has to get the pizza. After he leaves, the group
sings and dances to "Roxanne"; Pierce decides not to give Troy his
gift and throws away the troll. Abed invites Annie to move in with him and
Troy.
The
end tag shows the universe in which Troy got the pizza. Pierce is dead, Annie
is in a mental ward due to guilt, Shirley is an alcoholic, Troy injured himself trying to destroy the
flaming troll (he tried to eat it) and can only speak with the assistance of an
artificial voice box, Jeff is missing an arm and Britta has a blue streak in
her hair. Abed suggests that they must become "the evil study group"
and kill their good versions in the prime timeline, taking control of that
timeline. He proceeds to hand out black felt goatees, à la Star Trek: The Original Series’ "Mirror, Mirror". Depressed, Britta, Jeff and Shirley
all depart, but Troy stays behind and the two of them decide to team up and don
the goatees, singing "Evil Troy and Evil Abed," a variation on the
running gag of "Troy and Abed in the Morning." Suddenly, the
scene changes via the reverse of the dice roll animation used throughout the
episode (the camera zooms out from the 1 timeline to the prime timeline at the
center this time) to the "prime" Abed and Troy watching TV, where
Abed mentions that something felt strange for a moment, then decides it was
nothing.”
That’s
it for the summary….As for the analysis….
Besides
being intricately structured and well written, the episode reveals how
counterfactual reasoning helps explain causality. By removing characters from the apartment, the episode shows
how altering variables determines the course of events.
The
Wikipedia entry actually does a good job explaining this point, noting:
“The episode's structure depicted how
the characters relate to each other in different situations. How the situation
changes each time a character leaves suggests the character's role within the
group. Some characters always get along easily, some of them do not, and
ultimately the group dynamic requires everyone to work. When Jeff is not
around, the group lets loose and has fun. Jeff cannot bring himself to do the
same because he enjoys being cool and detached. Annie wishes that everyone would be less worried about her
and view her as an adult. Troy prevents chaos; when he is gone, the situation
dissolves into madness. He also
wishes that Jeff would view him as an adult. Shirley feels left out because she is the only one happily
married.
She plays a maternal role, quick to anger with everyone as she
simultaneously tries to guide and nurture them. However, the other group
members often refuse to take responsibility and mock her judgment even though
they secretly like her mini-pies. Meanwhile, Pierce is upset that Troy moved
out even though he seems so happy and he constantly attempts to impress Jeff by
trying to prove his own masculinity. Abed dispels tension: without him, the
study group is uncomfortable with each other.”
In
other words, by showing how things might have unfolded different in an
alternate reality, we can better appreciate their actual reality.
These two episodes offer small scale examples of the kinds of causal connections that historians explore at the more macroscopic level in works of counterfactual and alternate history. It is probably too much to hope that these latter works will find the same amount of small screen air time as the more interpersonal examples have recent received. Yet, the forthcoming television series Thirteen and the Syfy miniseries The Man in the High Castle hold out hope.....
These two episodes offer small scale examples of the kinds of causal connections that historians explore at the more macroscopic level in works of counterfactual and alternate history. It is probably too much to hope that these latter works will find the same amount of small screen air time as the more interpersonal examples have recent received. Yet, the forthcoming television series Thirteen and the Syfy miniseries The Man in the High Castle hold out hope.....
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