Edited by Gavriel D. Rosenfeld

Edited by Gavriel D. Rosenfeld

Wednesday, January 16, 2019

New Dickheads Podcast on "The Man in the High Castle" Featuring Krajewski and Rosenfeld

One of the pleasures of writing about counterfactual history is the opportunity to come into contact with fellow “what if” aficionados. 

I recently had the opportunity to reconnect with David Agranoff, a fellow Bloomingtonian (“Hoosier” even), who together with Anthony Trevino, and Langhorne J. Tweed, runs a great podcast, brilliantly called Dickheads, on the fictional writings of Philip K. Dick. 

A few weeks back, David invited me to appear on the latest episode of the podcast, which featured a discussion on The Man in the High Castle, together with Bruce Krajewski, the editor of the wonderful volume, The Man in the High Castle and Philosophy.  

The podcast has just been made available, so if you’re interested in checking out the freewheeling discussion, click HERE.

Also, by all means check out the other Dickheads podcasts as well as Bruce’s blog, The Fourth Policeman.

Happy listening!

Thursday, January 10, 2019

A New German Study on Nazi Counterfactuals: Johannes Rhein, et al, eds., Schlechtes Ged├Ąchtnis"

Yesterday I received my two complimentary copies (thanks!) of a great new anthology to which I was pleased to make a minor contribution:

Johannes Rhein, Julia Schumacher, and Lea Wohl von Haselberg's collection of essays, Schlechtes Ged├Ąchtnis?  Kontrafaktische Darstellungen des Nationalsozialismus in alten und neuen Medien.

I merely contributed a short preface, but the rest of the volume is well worth a look, for those of you who read German.

The volume includes essays on film, video games, and comic books -- and, of course, plenty of discussion of how Hitler is represented in diverse media.  The book (paperback) also includes lots of rare and intriguing photos, many in full color.

Here is the Table of Contents:

Friday, January 4, 2019

Advance Publicity for The Fourth Reich: The Specter of Nazism from World War II to the Present

I'm getting excited for the release of my new book, The Fourth Reich: The Specter of Nazism from World War II to the Present, next month.  And so in the effort to spread the word about its forthcoming publication, I'm posting some links to sites that have given advance publicity to it.

Two sites that have featured the book are Book Riot and Goodreads.

If you are interested click HERE and HERE.

I will be posting more about The Fourth Reich and its counterfactual dimensions in the coming weeks.

Friday, November 9, 2018

The Ongoing Alternate History Onslaught: Philip Roth’s "The Plot Against America" to be an HBO Miniseries

The news that HBO has decided to produce Philip Roth’s novel, The Plot Against America, as a miniseries confirms that alternate history has never been more popular in American popular culture.

As I’ve chronicled on this blog, there have been numerous novels, films, television programs, and streaming web series that have appeared to public acclaim in the last several years.

They include:

·      Ben Winters, Underground Airlines
·      David Means, Hystopia
·      Kate Atkinson, Life After Life
·      Nava Semel, Isra Isle
·      Steven King, 11.22.63 (also a Hulu series)
·      Timeless (NBC)
·      Making History (Fox)
·      Confederate (announced by HBO and still pending)
·      1983 (forthcoming on Netflix)

Within this larger body of work, alternate histories of Nazism have been especially popular.

They include:

·      Lavie Tidhar, A Man Lies Dreaming
·      Simone Zelitch, Judenstaat
·      Timur Vermes, Look Who’s Back (Netflix)
·      The Man in the High Castle (Amazon Prime’s adaptation of Philip K. Dick’s novel)
·      SS-GB (BBC2’s adaptation of Len Deighton’s novel)
·      The Hunt (Amazon’s upcoming Jordan Peele-produced show, about Nazi hunters in 1970s America.  it’s unclear whether this will be a secret history or alternate history, but let’s keep our options open for now).

And now comes The Plot Against America.

The reason for the genre’s popularity is obvious.  The surge of right-wing political activity in today’s America has made many of us fear for our future and prompted us to seek guidance from narratives that describe how events might have unfolded differently in the past.  

Some critics have recently argued that such dystopian narratives have become too much of an emotional burden in an era of heightened anxiety.  See “Dear Television, I Can’t Handle Another Prestige Drama About a Fascist Dystopia”).  

Yet, based on the success of The Handmaids Tale, The Leftovers, and other likeminded dystopian series, they speak to the national mood.  Alternate histories of Nazism are the most politically explicit expressions of this mood and I am excited that they are getting the big budget treatment by the Amazons, Netflixes, and HBO’s of the world.

I am convinced that they serve a salutary function by prompting us to think more deeply about the origins and consequences of historical events.

As for The Plot Against America, I am confident that HBO will remain faithful to the novel’s narrative, but I am curious to see how the network will handle the novel’s final section, where Roth ran out of gas and provided a rough outline – instead of a fleshed-out account – of how America ultimately avoids a dystopian fate.  

HBO will have a lot of flexibility in deciding how to pursue this climactic section.  In fact, it has a great opportunity to improve on the original.

Monday, November 5, 2018

A Counterfactual Double-Play: Dowd and Douthat’s Dueling “What Ifs?”

Yesterday’s New York Times opinion page was striking for featuring TWO (count ‘em) op-eds featuring prominent counterfactuals. 

Maureen Dowd’s piece on Gary Hart (“Trump and the Hart-less Presidency”) speculated on the possibility that if Hart had not been sunk by his “Monkey Business” with Rice, perhaps the Bushes and Trump would never have been elected president.

As Dowd puts it:

If reporters had not hidden in the bushes, would there have been any Bushes? If Hart had won in ’88, would…we have been spared from two wars against Saddam, Sept. 11, ISIS, and the climate catastrophe?

Dowd’s points have been made before (in fact, I commented on them in my 2014 post on Donna Rice’s “Nose”).  But they merit repeating.

A more original and intriguing set of counterfactuals informs Ross Douthat’s op-ed, “The Luck of the Democrats,” combines a “silver lining counterfactual” with a “leopard spot counterfactual.”  It claims that Democrats should be happy about their current political fortunes since they easily could have been worse; but it undermines its claim by speculating that Donald Trump could have behaved counter to type and been rational and pragmatic, instead of impulsive and ideological.

Douthat begins his argument by explicitly positing two “what ifs?” 

To understand [the Democrats’] good fortune, he writes, consider two counterfactuals. In the first, the last 21 months proceeded in exactly the same fashion — with the strongest economy since the 1990s, full employment almost nigh, ISIS defeated, no new overseas wars or major terrorist attacks — except that Donald Trump let his staffers dictate his Twitter feed, avoided the press except to tout good economic news, eschewed cruelties and insults and weird behavior around Vladimir Putin, and found a way to make his White House a no-drama zone.

In this scenario it’s hard to imagine that Trump’s approval ratings wouldn’t have floated up into the high 40s; they float up into the mid-40s as it is whenever he manages to shut up. Even with their threadbare and unpopular policy agenda, Republicans would be favored to keep the House and maintain their state-legislature advantages. All the structural impediments to a Democratic recovery would loom much larger, Trump’s re-election would be more likely than not, and his opposition would be stuck waiting for a recession to have any chance of coming back

Then consider a second counterfactual. Imagine that instead of just containing himself and behaving like a generic Republican, Trump had actually followed through on the populism that he promised in 2016, dragging his party toward the economic center and ditching the G.O.P.’s most unpopular ideas. Imagine that he followed through on Steve Bannon’s boasts about a big infrastructure bill instead of trying for Obamacare repeal; imagine that he listened to Marco Rubio and his daughter and tilted his tax cut more toward middle-class families; imagine that he spent more time bullying Silicon Valley into inshoring factory jobs than whining about Fake News; imagine that he made lower Medicare drug prices a signature issue rather than a last-minute pre-election gambit.

This strategy could have easily cut the knees out from under the Democrats’ strongest appeal, their more middle-class-friendly economic agenda, and highlighted their biggest liability, which is the way the party’s base is pulling liberalism way left of the middle on issues of race and culture and identity. It would have given Trump a chance to expand his support among minorities while holding working-class whites, and to claim the kind of decisive power that many nationalist leaders around the world enjoy. It would have threatened liberalism not just with more years out of power, but outright irrelevance under long-term right-of-center rule.

Of course, Douthat imagines that Trump could be that rare leopard that changes his spots.  Yet, like other writers who have produced similar claims – for example Tom Friedman (see my POST) – his claim flies in the face of proven experience. 

Nonetheless, Douthat is right that Democrats should appreciate how lucky they are that Trump is president, and not someone like Mike Pence or Ted Cruz, who WOULD have the discipline not to distract voters’ attention from the economic achievements of their administration.

In fact, the counterfactual scenario should remind Democrats to be on guard for the future: Trump’s electoral base (33% of the population) isn’t going anywhere and will remain long after Trump is gone, just waiting to be galvanized by a more disciplined right-wing populist.